Through this project, you will experiment formally in HTML and CSS through creation of your very own typeface. That said, your typeface should somehow take advantage of its unique material. How is a typeface online (on a screen) different than one in a book (on a printed page)? How do the media differ? What are the dynamic properties of the web that printed matter lacks? And vice-versa: is there anything that printed matter has that the web doesn't? The concept for your typeface should come across formally and also allude to the way it was created (programming HTML and CSS).
Your typeface should exist in at least two visual 'states'. These states can take advantage of the HTML/CSS hover state, continuously run like a screensaver, or be triggered in other ways as you like (scrolling, resizing your window, a media query, etc.). What does this additional form say about the digital format? Is it a means to be expressive? To hide and reveal new information? Are there multiple layers to your typeface that represent different types of information? Connect these visual forms to the concept of your typeface.
When it is time to create the website to display your typeface, consider its subject. How can your website's focus not only reinforce but push forward the concept of your typeface? How will your typeface be used? What material can you present in your typeface to take it to a new level? Can the website surprise viewers in some way to further explore the concept even more?
- Practice structuring HTML and CSS for reuse.
- Strengthen skills using HTML and CSS as a formal medium
- Create a typeface using only HTML and CSS. It should have a complete character set and at minimum 2 visual 'states'.
- Once you've designed and built your typeface, create a website to display your complete typeface.
- You must give your typeface a name
Week 1 T - assign TH - workday Week 2 T - step 1 due TH - step 2 due Week 3 T - workday TH - step 3 due Week 4 T - step 4 in progress eval TH - workday Week 5 T - workday TH - project due
Due Tuesday Sept 11
Create three unique directions for your typeface. Begin by sketching the fundamental letters we discovered in small group. Conceptually and formally, each direction should be uniquely different from each other. While sketching, consider how each typeface would exist as code and in the browser space. (Do this in InDesign or Illustrator, and come to class on Monday with a PDF.)
Due Thursday Sept 13
Based on feedback of your three sketches, select one direction for your complete typeface. Complete your typeface drawing (in Illustrator, etc.) as much as possible. Here are the characters I would like you to have:
either: abcdefghijklmnopqrstuvwxyz or: ABCDEFGHIJKLMNOPQRSTUVWXYZ as well as: 0123456789 (numbers) .?!,”“ (punctuation)
Due Thursday Sept 20
Please create two unique proposals (using InDesign or another sketching tool) for the website your typeface will live on. How can your website's focus not only reinforce but push forward the concept of your typeface? Remember to upload the sketches to your class website.
- Ask yourself: What makes a typeface specific to the screen or the web?
- Think about your typeface in two states. (How does your typeface "breathe"?)
- Think about what your typeface would do if it were a screen saver.
Due Tuesday Oct 2
Present a final website containing typeface and showcasing its unique character. We will have an in progress check in Tuesday Sept 25 and a final crit on Tuesday Oct 2.
- Wim Crouwel's grids
- Tauba Auerbach's Type Specimens
- Jurriaan Schrofer
- College Chums by Edwin S. Porter, 1907
- Rhythmetic by Norman McLaren and Evelyn Lambart, 1956
- Enter the Void Trailer by Gasper Noe, 2011
- Watch Wyoscan by Dexter Sinister, 2012
- Now Is More Than Ever by Damon Zucconi
- Letter & Spirit by Dexter Sinister, 2012
- Computed Type by Christoph Knoth, 2013 — more
- Now by Weiyi Li, 2011
- Unicode by Jörg Piringer, 2012
- Whitney's Responsive W by Experimental Jetset, 2013 — more
- bOOg by Freeware/Delaware, 2012
- Typatone by Jono Brandel, 2015
- Radim Pesko's Sol
- Bloomberg Businessweek Design Conference
- Young-Hae Chang Heavy Industries
- Place a Stone by Studio Moniker
- Math Shapes by LettError
- Responsive Lettering by Type and Media Program, 2015
- Commercial Type Showcase
- Hansje van Halem